民族性内涵与全球化诉求的有机结合构筑了吕克·贝松历久不衰的长尾效应。作为法国导演,吕克·贝松之所以不容于法国电影的殿堂,也许与其成长经历有关。他一辈子都似乎与周围环境格格不入,没有归属感。生于巴黎,从小便被潜水教练的父母带着漂泊转徙于意大利、希腊和南斯拉夫。终日仅以海洋生物为伴,养成了其孤僻自闭的秉性。十岁时随父母搬回法国,但双亲随即离异,各自重组家庭。吕克·贝松从此便撕扯于两个并不属于他的家庭之间,令他感到自己只不过是 The organic combination of ethnical connotation and globalization demands builds the long-lasting effect of Luc Besson. As a French director, Luc Besson’s reason for not being a French cinema may have something to do with his growing up. His life seems to be incompatible with the surrounding environment, there is no sense of belonging. Born in Paris, Pooh was diverted by parents of diving coaches to Italy, Greece and Yugoslavia. The only day to marine life companion, develop its solitude autistic nature. At the age of ten with her parents moved back to France, but their parents divorced immediately, their own reorganization of the family. From then on, Luc Besson teared between two families that did not belong to him, making him feel that he was nothing but