文人画作为源于中国士大夫阶层的绘画品类,一直占据着中国一千多年以来的绘画主流,其艺术生命力和文化影响力越来越受到国内外艺术界乃至文化界的重视。自文人画在明清之际传入朝鲜、日本等东亚国家,一度成为东亚艺术的代表性画种,以其强调直抒胸臆的抒情方式和书画结合的表现手法,成为代表东方人文精神与绘画表现风格的独特艺术表现形式。18世纪中期,中国明清文人画传入日本,在日本江户时代兴起了新一轮的中国画热,从而掀起风靡一时的文化时尚,发展出日本的文人画派。在18世纪后期至19世纪中期的京都、大阪一带,日本文人画达到高峰,代表人物 Literati painting, as a category derived from the class of Chinese literati, has always occupied the mainstream of painting in China for more than a thousand years. Its artistic vitality and cultural influence have drawn more and more attention from the art circles in China and abroad and even from the cultural circles. Since the literati paintings were introduced to North Korea, Japan and other East Asian countries on the occasion of the Ming and Qing Dynasties, they became the representative paintings of East Asian art for a time. They emphasized the expressive way of expressing straightforward expression and combination of painting and calligraphy, representing the oriental humane spirit and painting performance Style of unique artistic expression. In the mid-18th century, the literati paintings of Ming and Qing Dynasties in China came to Japan and a new round of Chinese painting fever emerged during the Edo period in Japan, thus setting off a rage fashion and developing Japanese literati painting school. From the late 18th century to the mid-19th century Kyoto, Osaka, Japanese literati painting reached its peak, the representative