中唐诗人孟郊,是韩孟诗派的代表诗人,怪奇诗风的开拓先锋,对于中唐诗风的转向,意境的探索有着重大意义,对同时及后世都产生了重大的影响,以丑为美的审美趣旨,以意役象的构思方式,自鸣其不幸的心灵化表现,还有苦吟的做派,无不标新立异,具有开创性意义。让人惊叹不已的是数千年后的法国竟也出现了这样一位忧郁善感,审美奇异,诗心迥异的诗人,他就是西方现代派的始祖、欧美象征派的代表诗人,波德莱尔。同样地以丑为美,审美异化;忠于自我,注重心灵感受的抒写;主观异常强大,任意驱裁物象;而又同样的悲天悯人,控诉时代的不公与精神的压迫。在创作方式上也同样的锤字炼句,执着的追求诗艺的打磨,苦吟以为吟苦,诉说着内心的痛苦与忧郁。 Meng Jiao, a poet in the middle Tang Dynasty, is the representative poet of the Han-Meng poetic school and the vanguard of pioneering weird poetry. It has great significance for the turning of poetic style and the exploration of artistic conception in the Middle Tang Dynasty. It has had a great influence on both contemporaries and later generations. , With the idea of ​​serving as the image of the way, from its unfortunate psychic performance, there are bitter to do to send, all unconventional, with groundbreaking significance. What is amazing is that thousands of years after the French actually also appeared such a melancholy, aesthetic strange, different poet poet, he is the ancestor of the Western modernist, representative poet of European and American symbolism, Baudelaire . In the same way, ugliness is aesthetically pleasing to the outside world; aesthetic alienation is loyalty to oneself and focus on the expression of spiritual experience; subjective exceptionality is powerful and arbitrary to excuse objects; and yet the same compassionate and complaining injustice and spiritual oppression of the times. In the creation of the same hammering words, persistent pursuit of poetic art polished, bitterly think Yin, tells the heart of pain and depression.