著名花卉画家郭怡有一印语是“花香深处”。那么,这花有多香,这香有多深,这深处又有什么呢?野与艳中国花鸟画的源头在哪里,是搞中国画史的专家探讨的问题。但有一点是公认的,花鸟画成熟的五代宋初,即已分出“徐熙野逸,黄家富贵”两条路径,而且随着时代的发展和对绘画工具材料性能的自觉,这两条路径的分野越来越明显。大体上水墨 Guo Yi, a famous flower artist with a printed language is “depth of scent ”. So, how rich is the flower, how deep is the incense, and what is deep in it? The source of the flowers and birds of Chinese painting is the question of the experts who engage in the history of Chinese painting. However, it is generally acknowledged that the mature Five Dynasties and early Song of Song and Flower paintings separated the two paths of “Xu Xi Ye Yi and Huang Jia Fu Gui”, and with the development of the times and the conscientiousness of the material properties of the painting tools, The path of the more and more obvious. In general ink