乌托邦作为一种人文主义的理想 ,是历代具有使命和责任感的作家的精神追求。本文拟就 80年代中期以来 ,中国文学领域出现的一种反乌托邦创作倾向 ,阐述文学作品在削弱和厌弃了精神性力量之后 ,具有明显的后现代文化品性这一观点。其表现为 :深度意义的消失 ,历史意识被抹去 ,主体的跌落等。并指出 ,反乌托邦作品是以消解理想主义谜底的方式重设虚无的寓言。 Utopia, as a humanistic ideal, is the spiritual pursuit of writers of all ages who have a mission and responsibility. This article attempts to elaborate a dystopic tendency in the field of Chinese literature since the mid-1980s and expounds the notion that literary works have significant post-modern cultural qualities after weakened and discarded spiritual forces. Its performance is as follows: the disappearance of the depth of meaning, the eras of historical consciousness, the main fall and so on. And pointed out that the dystopian works are empty allegories to reset the idealism.