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纵观陶诗,其中描绘最多、最具有神韵风姿、最横洒“奇趣”的,我认为是陶渊明笔下一系列的飞鸟形象.陶诗无论是田园诗,还是咏怀诗,均有很多能够准确把握飞鸟这特定形象特征的描摹,以表现诗人的品格,寄托诗人的感触和情怀,使抽象的意念化为具体的形象,如“高鸟”、“倦鸟”、“归鸟”、“羁鸟”、“惊鸟”、“孤岛”、“众鸟”、“凤鸟”、“精卫鸟”、“失群鸟”、“有托之鸟”等等.这些极具生命力的飞鸟在陶潜笔下聚合为一组鲜明、生动、朴实、自然、淳美、奇异而富有深层意蕴的陶翁飞鸟形象群.如果说屈原是我国文学史上第一位善于描绘芳草芬木香花馨卉的集大成者,那么陶潜是否可称为我国文学史上第一位擅长刻画“飞鸟”的大诗人.我们能从这些飞鸟中领悟到陶诗平中见奇的艺术个性,更能领悟到陶渊明的人生轨迹和思想流程.
Throughout the Tao poem, which depicts the most, most charm charm, the most splendid “Trolltech”, I think it is a series of bird images Tao Yuanming Tao Poetry whether it is idyllic, or poetry, there are many accurate grasp The description of the specific image of the bird reflects the character of the poet and implies the feelings and feelings of the poet and makes the abstract idea into a concrete image such as “tall bird”, “tired bird”, “returning bird”, “ ”,“ Scared bird ”,“ island ”,“ bird ”,“ phoenix bird ”,“ refined bird ”,“ lost bird ”,“ care of the bird ”and so on. For a group of vivid, simple, natural, Chunmei, strange and deep meaning of the Tao Weng feather image group .If you say that Qu Yuan is the first Chinese literature history is good at depicting Fragrant Fragrant Fragrant fragrance, So whether Potential Potential can be called the first great poet in the history of Chinese literature who is good at portraying the “Flying Birds.” From these birds, we can realize the unique artistic personality in Tao Pingping and better understand Tao Yuanming’s life trajectory and ideological process.