自建国以来 ,中国传统美学与文论的研究始终与新中国文学理论体系的民族化问题紧紧地纠结在一起 ,而其现实背景又往往与西学的引进密切相关。当上世纪 5 0年代苏俄文艺理论大量充斥中国文艺界与大学讲坛时 ,就有人撰文倡导研究中国古典文艺理论遗产以与之相对抗①;当上世纪 80 Since the founding of the People’s Republic of China, the study of Chinese traditional aesthetics and literary theory has always been closely intertwined with the nationalization of the theoretical system of new Chinese literature. However, its actual background is often closely related to the introduction of western learning. When the theory of Russian literature and art was flooded with the forums of Chinese literary and art circles and universities in the 1950s, some people advocated the study of the legacy of Chinese classical literary and art theories in opposition to them. When the last century 80