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本文所述小提琴“半音模进式”琶音练习,是指以每前进半个音变一个调的方法,即每半个音就是一个把位来演奏十二个调八种琶音。它们分别是降A调、A调、降B调、B调、C调、降D调、D调、降E调、E调、F调、降G调、G调。这种练习是以熟练掌握一、四指在两条弦上的八度框架为主要目的。同时,这也是对以往琶音练习非常实用的补充材料。拟共分12篇接续介绍给读者朋友。以下首先介绍降A调(四个降号)琶音的练习方法,因降E、降B、一个八度的琶音把位相同、指法相同,故一并列出。
The violin / “semitone mode” arpeggio practice described in this article refers to the method of changing the pitch by half a note per half-note, meaning that every half note is a single bit to play twelve arpeggios in twelve tones. They are the lower A, A, B, B, C, D, D, E, E, F, G, G. This exercise is based on proficiency in one or four fingers in the two octaves frame the main purpose. At the same time, this is also a very practical addition to arpeggios practice materials. It is proposed to introduce 12 readers to readers. The following describes the first A (A) (Arithmetic reduction of four arpeggios practice method, because the lower E, B, an octave of the same bit, fingering the same, it is also listed.