编剧是否需要“中介”、“代理”、“保姆”来辅助他们完成或是力所不能及或是无暇顾及的事务?编剧经纪人与编剧经纪公司应运而生是否真正能够为编剧解决燃眉之急?发现并迅速占领新蓝海的编剧经纪公司下一个风口在何处?这些问题都需要业界深究。 Is there any need for screenwriters to work in “mediation”, “agent”, and “babysitter” to help them do things they can not and can not do or do not have time to take care of? Is it really possible that screenwriter and screenwriter companies come into being? For screenwriter to solve the pressing problem? Discover and quickly occupy the new Blue Ocean screenwriter company where the next outlet? These issues require industry depth.