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“写意”,这个中国文化特定的概念,是中国艺术家欲达一种崇高精神境界的手段。尽管“写意”这个词在历史上出现得比较晚,然而纵观中国美术史,其观念却早已有之。那些战国和西汉时期构思浪漫、制作精良的帛画;西汉霍去病墓前那整石、圆浑的大型雕刻;西汉东汉的画像石和画像砖;魏晋南北朝时期的砖画和陵墓动物石刻;唐代王维、王墨等人创造的水墨山水和北宋开始形成、至后来发展成波澜壮阔的文人画大潮中各种艺术流派乃至戏曲等等,无不是中国这种特有写意精神物质化的杰作。
“Freehand”, a concept specific to Chinese culture, is a means for Chinese artists to reach a noble spiritual realm. Although the word “freehand” appeared later in history, the concept of Chinese art history was long gone. Those warring States and the Western Han Dynasty romantic idea, well-made silk painting; West Han Huo Tomb of that whole stone, rounded muddy carvings; Western Han Dynasty portrait stone and portrait brick; Wei Jin and Northern and Southern Dynasties brick paintings and tombs animal stone; Tang Wang Wei, Wang Mo et al. Invented the ink landscapes and the Northern Song Dynasty began to form, and then developed into a magnificent literati painting tide in a variety of art schools and even opera, etc., are all China’s unique materialism of the spirit of the masterpiece.