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在上海双年展开幕的同一个月,国内还有两个双年,三年展和数个博览会开幕,更有数不清的活动几乎同时发生在各个城市的美术馆、画廊和艺术区。这个展览季中,第十一届上海双年展委任印度Raps媒体小组作为主策展人,使得展览的主题和结构显得尤为特别。策展人无视充斥各大博览会的商业产品,选择大量多媒体影像作品、行为艺术、戏剧表演、大型互动装置和艺术档案作为展览主体,这让双年展在形式上显得更具当代性。除此之外,这届双年展因其主题与印度导演李维克·吉哈塔克(Ritwik Ghatak)的关系,自然带有了一层政治底色,而这一点却正在被
In the same month that Shanghai Biennale was opened, there were also two biennials, three years of exhibitions and several expositions in China. Countless events took place almost simultaneously in art galleries, galleries and art districts in various cities. In the quarter of this exhibition, the 11th Shanghai Biennale appointed Raps Media Team of India as the main curator, making the theme and structure of the exhibition particularly special. Curatorial disregard of commercial products flooding the major exhibitions, the selection of a large number of multimedia video works, performance art, dramatic performances, large-scale interactive devices and art archives as the main exhibition, which makes the Biennale formally more contemporary. In addition, this Biennale naturally has a political background due to its thematic relationship with Indian director Ritwik Ghatak, which is being