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浏览近十年的中国历届人物画展及一些重要的展事,人们注意到这样一个名字:王赞。自王赞从1989年《辛亥七十八年祭》的作品算起,直到今年刚刚完成的《黄宾虹》为止,他的作品素以大尺幅、大题材、大场景作为框架,毫不间断地一件件推出雄伟、精致的宏幅巨制。王赞在20岁的时候便开始在扬州国画院从事专业创作,1987年毕业于中国美术学院,留校任教后,除了正常的教学工作外,大部分的时间浸泡在那仅可容身的画室里,默默地锤炼着笔墨,静静地享受着艺术的馈赠。后来,他担任了中国美术学院国画系副主任,前不久,他成为中国第一批美术学博士生。敏感的山东美术界和收藏界,纷纷向他发出邀请,请他到济南、青岛、潍坊、日照等地进行学术交流。
Browse the past ten Chinese exhibitions of history and some important exhibitions, people noticed such a name: Wang Zan. Since Wang Zanji began his work on the 1988 Seventy Almanac in 1989, and until Huang Binhong was completed this year, Wang Zan’s works are framed by large-scale, big-picture and big scenes without interruption One piece launched majestic, exquisite macro giant system. At the age of 20, Wang Zan began working as a professional artist in the Yangzhou Traditional Chinese Painting Academy. After graduating from the China Academy of Art in 1987, after leaving for school, Wang Zhun spent most of his time immersing himself in the studio that only housed himself , Silently tempered the pen and ink, quietly enjoy the gift of art. Later, he served as deputy director of the Chinese Painting Department of the China Academy of Art. Not long ago, he became China’s first group of doctoral students in fine arts. Sensitive Shandong art circles and collectors, have sent him an invitation to him to Jinan, Qingdao, Weifang, Rizhao and other places for academic exchanges.