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2003年11月19日雪按照惯例,天气不好就进博物馆。今年来普希金博物馆已有几十次了,我们笑谈叫“沾沾大师气”。每次都有不同的感受和新的发现。今天的任务就是去看莫奈,在他的那些画儿前溜达、琢磨了许久。欧洲油画的传承关系只有身临其境才有可能做出准确的判断。现在回过头来再看莫奈,我觉得莫奈对油画的理解和贡献不仅仅是从室内到室外,以及光线的科学实验。我感觉油画在莫奈那里才真正熟了,把人们对油画的认识真正从自然的真实,带到了艺术的真实。把认识油画的一般性思考惯性,拉高到了绘画语言特有的审美愉悦的高度。无论是对色彩的基本把握,以及物体间运动的处理,还是对油画语言本身的意义,
November 19, 2003 Snow By convention, the weather went bad into the museum. This year Pushkin Museum has been dozens of times, we laugh called “James masters.” Every time there are different feelings and new discoveries. Today’s task is to see Monet, stroll in front of those of his paintings, pondering for a long time. The inheritance of European painting is only possible when it is possible to make accurate judgments. Now looking back at Monet, I think Monet’s understanding and contribution to painting goes beyond mere indoor to outdoor and light-ray scientific experiments. I feel that the oil painting is truly familiar in Monet, bringing people’s understanding of oil painting truly from the real of nature to the real of art. The common inertia of oil painting is elevated to the height of aesthetic pleasure unique to painting language. Whether it is the basic grasp of color, and the handling of movement between objects, or the meaning of the language itself,