论文部分内容阅读
1997年,杨福东完成了自己的第一部黑白电影名为《陌生天堂》。影片从拍摄一只摆弄着玻璃缸中几条泥鳅的手部特写开始,之后又转向另一只拿着毛笔的手,在宣纸上勾画着着山石、茅屋、流水等形象,再配以画外刻板乏味的说辞——“要做到画中有诗。”——就像是上世纪80年代山水画教学纪录片中,老生常谈的固有语气。在此之后,画面转换到梅雨季节的杭州,真正的“故事”也在此开始:沉默寡言的“小知识分子”柱子和未婚妻灵珊住在一起,因为怀疑自己的身体出了问题,他不断地去医院做各种的检查,然而各项检查的结果都表明他的身体很正常。但他依然定期去医院检查身体,让对于身体的疑虑变成内心有规律的困惑与解脱。某个雨天,柱子与一个陌生女孩偶遇,在一座陌生的住宅楼上,他畏手畏脚地抚摸她,然
In 1997, Yang Fudong completed his first black-and-white movie titled “Strange Paradise.” The film begins with a close-up of a hand that mimics a few loaches in a glass jar and then turns to the other hand with a brush, sketching rocks, huts, flowing water and other images on rice paper, Stereotyped and boring rhetoric - “To have a poem in the painting. ” - is like the cliché of clichés in the landscape painting teaching documentary of the 1980s. After that, the picture is switched to Hangzhou during the rainy season, and the real “Story” begins here too: the taciturn “Little Intellectuals” and the pillar live with his fiancee Ling Shan because of suspicion of a problem with his body He went to the hospital to do various examinations on a continual basis, however, the results of various examinations showed that his body was normal. But he still regularly go to the hospital to check the body, so that the doubts about the body become the heart of the regular confusion and relief. On a rainy day, the pillars and a strange girl encounter, in an unfamiliar residential upstairs, he fear the touch of her fearful feet