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作为一种较成功的惊险片亚/准类型,“十七年”时期的少数民族题材反特片处于十分特殊的叉合位置,耦合着新中国成立之初的社会语境。一方面,此类电影关联着冷战的国际情势,但内在的根本诉求与其说是寻找某种对冷战的应答,不如说更多地关切新生政权内在秩序的调整;另一方面,少数民族题材反特片以特定的视觉呈现,将欲望想象投射到边地少数民族群体,通过欲望他者化的镜像结构,有效地实践着新生的文化领导权。
As a more successful adventure film sub-quasi-type, “seventeen years ” period of ethnic minority anti-feature films in a very special position, coupled with the social context of the founding of New China. On the one hand, these movies are related to the international situation of the Cold War. However, rather than looking for some response to the Cold War, the fundamental underlying demands are more concerned with the adjustment of the internal order of the new regime. On the other hand, The special film is presented in a specific visual manner, projecting the desired imagination to ethnic minorities in the frontier areas and practicing the cultural leadership of the newborn effectively through the mirror structure of desire others.