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随着历史的发展与社会的进步于发展,贵州苗族传统图纹已经慢慢走出深山,这种美的造型图式越来越受到世人的热捧与重视,它特有的文化内涵和造型表现为当代社会的艺术创作提供了相当有价值的艺术营养。在图纹中传达出的强烈的创新性及审美理想使苗族民间美术达到了一个较高的艺术境界,为现代人的审美实践提供了启发和参照。而当下人们似乎在热捧西方时尚文化时,一些传统的古老工艺逐渐被人们所遗忘,精美的苗族传统图案也正在淡出人们的视野。于是便诞生了一种新的对传统图纹的承接方式,即现代与传统的结合,将传统图纹加入现代人们的审美理念形成一种新的组构效应,或许能使更多人欣赏到这一民族瑰宝的变体,不妨将时尚眼光投向民间,现代时尚或许会有更多新的斩获,这亦是另一个更大的课题。
With the development of history and the progress of society, the traditional Miao ethnic patterns in Guizhou have slowly gone out of the mountains. This beautiful stylistic figure is more and more favored by the world and its unique cultural connotation and shape are represented as contemporary The artistic creation of society provides quite valuable artistic nutrition. The strong innovativeness and aesthetic ideal conveyed in the pattern make Miao folk art reach a higher artistic realm and provide enlightenment and reference for modern people’s aesthetic practice. At present, when the people seem to be hoping for the western fashion culture, some traditional ancient craft are gradually forgotten by people. The exquisite Miao traditional patterns are also fading out of people’s view. Therefore, a new way of inheriting traditional patterns was born, that is, the combination of modernity and tradition. The formation of a new organizing effect by adding traditional patterns to the aesthetic ideas of modern people may make more people appreciate it This is a variant of the national treasure, may wish to fashion look into the folk, modern fashion may have more new gains, this is another larger subject.