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金刚杵类的装饰造型,是指一种镇压邪魔歪道的力量;“曼陀罗”（坛城）图案和其法则,则蕴含着藏传佛教的宇宙观的思想。色彩、造型、材质等装饰要素都被赋予了特定意义,这些有特定意义的元素经过演化和变体,通过强调重复,成为一种风格的基本节律。创作者欲通过装饰艺术表述的目的性越清晰,利用“预置配合”强调节律的共振就越强。接受者对信仰越虔诚,越要求节律的强调、重复。这种节律共振在整个藏式装饰艺术中清晰可见,并形成藏式寺院建筑装饰艺术的重要特征。 与建筑造型的坚实明朗,雄浑高大正好相反,藏式寺院的室内空间以曲折幽深,肃穆静谧营造一种虔诚、神秘的氛围。阶梯和大门之间,以半室内的门廊作过渡（图3）。门廊的柱身和造型斗拱面层饰以彩绘,门廊四壁布满了佛教彩绘图案。靠里侧为四大金刚,而两侧为宗教故事,或者“十相如意”等书法组合装饰图案。有的门廊有地藏轮环绕主殿,左右两侧常有木梯通往二层。佛殿高大而幽深,大殿木柱林立,柱上幡、幢、哈达和四壁的唐卡、垂幔等软装饰相得益彰（图4）。值得一提的是佛、神造像
The decorative form of the King Kong ape refers to a force that suppresses the demon rampant; the “mandala” (mandala) pattern and its rule contains the idea of Tibetan Buddhism’s cosmology. The decorative elements such as color, shape, and material have been given special meanings. These elements with specific meanings have evolved and changed and become a basic rhythm of style by emphasizing repetition. The clearer the intention of the creator to express through the decorative arts, the stronger the resonance of the “preset fit” strong adjustment law. The more pious the faithfulness of the recipient, the more emphasis is placed on the emphasis and repetition of the rhythm. This rhythmic resonance is clearly visible in the entire Tibetan decorative arts and forms an important feature of the decorative art of Tibetan temple architecture. In contrast to the architectural clarity of the building, the tall and straight opposite of the architectural style, the interior space of the Tibetan temple is full of twists and turns, creating a religious and mysterious atmosphere. Between the ladder and the gate, a semi-interior porch makes the transition (Figure 3). The porch’s pillars and styling brackets were painted with painted faces, and the porch walls were covered with Buddhist paintings. Relying on the inside of the four King Kong, and on both sides of the religious stories, or “decorative” and other calligraphy combination decorative patterns. Some of the porches have a hidden wheel around the main hall. There are often wooden ladders on the left and right sides leading to the second floor. The Buddha Hall is tall and deep. The pillars of the main hall are erected, and the soft decoration of the Thangka, Hangu, etc. on the pillars, buildings, Hada, and the four walls complement each other (Figure 4). It is worth mentioning that Buddha and God are like