读冯积岐的小说,时常会产生无法排遣的忧愁。他笔下有一批“被侮辱与被损害的”底层,他们浸染在苦水里,苦难生活压得他们喘不过气来,冯积岐写得却是非常冷静严肃,他把生活中的丑恶一刀一刀划开来,让人不忍卒看却又不得不看。这与他自身的苦难记忆有一定的关系,他的苦难生活集中在“文革”时期的关中西府,作品也以西府乡村为“背靠点”。“文革”之痛是他创作的根源,这种“疼痛感”纠缠了他的灵魂,使他始终保持清醒的头脑,把自己看做一个被“批判”且 Reading Feng Qiqi’s novels, often can not afford to send the sadness. He wrote a number of “insulted and damaged,” the bottom, they are immersed in bitter water, suffering life pressure them out of breath, Feng Qi Qi wrote is very calm and serious, he put life in ugly knife-and-knife Open, people can not bear to see but have to see. This is related to his own memory of suffering. His misery life is concentrated in the Guanzhong West House during the “Cultural Revolution” period. His works are also “back-to-back” in the West Village. The pain of “Cultural Revolution” is the root of his creation. This kind of “pain” entangles his soul and makes him always keep a clear head and regard himself as a “critical”