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苏轼山水画理论观,是其敏锐的艺术鉴赏力与深厚艺术气质的表现,推动了山水画理论的多样化与个性主张,并快速的引领着文人画向写意画积极发展。
Su Shi’s theory of landscape painting is a manifestation of his keen artistic appreciation and deep artistic temperament, promoted the diversification and individuality of landscape painting theory, and led the literati painting to the positive development of his freehand brushwork quickly.