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戏曲音乐作为音乐表现中的一种特殊形式和手段在我国已历史悠久,这种特殊的表现手段已形成程式化,固定化,然而在历史发展过程中,这种模式已远远不能适应发展的要求。文革中专业创作人员介入戏曲音乐创作,同时,完整的西洋管弦编制乐队也进入,把戏曲音乐创作推向一个顶峰。就京剧现代戏《红色娘子军》吴清华唱段“找见了救星,看见了红旗”的板腔体结构、调式调性布局、作曲技法作些分析。
As a special form and means of musical performance, opera music has a long history in our country. This special means of expression has become stylized and fixed. However, in the course of historical development, opera music has been far from being adaptable to development Claim. During the cultural revolution, professional creative personnel involved in opera music creation, at the same time, a complete Western Orchestra band also entered, the opera music creation to a peak. On Peking Opera modern drama “Red Detachment of Women” Wu Qinghua singing “saw the savior, saw the red flag ” plate cavity structure, tone style layout, composition techniques for some analysis.