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磅礴横肱醉笔仙,一丘一壑画家禅。蒲团参入王摩诘,石绿丹砂总不妍。——傅山·《阳泉春晓》《阳泉春晓》是傅山的一首配画诗,春融欣景,桃杏吐芳,让文人雅士陶醉和倾倒,心灵的感知,情思浩荡,神采飞扬,激情喷薄而出,写意曲尽其妙,古雅入神,是诗情构制的意境的迹现,傅山对阳泉西谷春天美景的陶醉之情倾注于他的“诗情画意”当中。我国文化对诗与画有“画是无声的诗,诗是无形的画”的意境观念要求,把诗境结
Pound 礴 horizontal Huanbing drunk pen fairy, a mound painter Zen. Futon Participate in the Wang Momo, Shi Dan Dan sand is not Yan. - Fu Shan “Yangquan Chunxiao” “Yangquan Chunxiao” is Fu Shan’s one with drawing poetry, Chunrong Yan King, Peach apricot spit, so literati intoxicated and dumping, the perception of the soul, the feelings of mighty, high spirits, Passionate gushing out, freehand song perfect, quaint into the god, is the poetic conception of the traces of reality, Fu Shan Yangquan Xigu beauty intoxicated into his “poetic”. Chinese culture is poetic and painting “painting is silent poetry, poetry is the invisible painting ” artistic conception requirements, the poetic knot