在音乐技术理论教科书中,“和声学”怕是出得最多的了。这些教本虽然内容各有增删,但却大多囿于传统的和声教学体系。即以传统四声部写作为主要教学手段。老实说,这种体系实在是为学作曲的学生而设,对占有音乐学院绝大多数的非作曲专业学生来 In the theory of music technology textbooks, “harmony” fear is the most out of the. Although these textbooks have their own additions and deletions, most of them are confined to the traditional harmony teaching system. That is to write the traditional four-part as the main teaching methods. To be honest, this system is really designed for students who study music and composes for the majority of non-music students