后波普以及前卫艺术的真正转型,就在于从语言批判转向文化批判,由图式关怀转向人文关怀,从逻辑转向历史,从空间扩变转向社会现实的亲在介入,藉此重获艺术的再生之途。 在当代艺术的这一知(Studium)上,将任思鸿近年创作的《后东亚》系列,当作一个刺点(Punctum)释,抑或更适切于画家对历史知面和社会现实刺点的隐喻或重写。所谓知面, The real transformation of post-pop and avant-garde art lies in the transformation from linguistic criticism to cultural criticism, from schematic care to humane care, from logic to history, and from pro-involvement of space expansion to social reality, in order to regain the artistic Regeneration of the way. On this Studium of contemporary art, the “post-East Asian” series Ren Xinhong created in recent years is treated as a Punctum, or more aptly as an artist’s metaphor for historical knowledge and the point of social reality Or rewrite. The so-called knowledge,