怪诞作为美学概念,在德国批评家沃尔冈·凯泽尔的专著《艺术与文学中的怪诞》问世之后,开始成为美学分析和文艺评论的对象。怪诞:是一种本质上自相矛盾,对立面激烈冲突,及事物发展的一种变态。就其表现形式而言,也可以把它看作是对人类生存本身那种困境所作的异于常态的表达,它以牺牲事物的自然性来加 As a concept of aesthetics, weirdness began to become the object of aesthetic analysis and literary criticism after the advent of the German critic Walter Keizer’s monograph The Grotesque in Art and Literature. Grotesque: It is a kind of metamorphosis that is essentially self-contradictory, fiercely confrontational and conflicts, and the development of things. As far as its manifestations are concerned, it can also be regarded as a non-normal expression of the predicament of human existence itself. It is based on sacrificing the naturalness of things