生活中常有这种情形：由繁冗的琐务抽身到一个光线幽暗的房间,期待以艺术的名义唤起内心的某种冲动,现代博物馆、美术馆等扮演的就是这教化审美的角色。不过当代艺术看得多了,难免生出防御机制,失望多于希望每每加快了步伐,然而这一次掉进时空的隧道。与五、六百年前的意大利人会晤却是如愿所偿。 This is often the case in life: from the cumbersome triad to a dimly lit room, expecting to arouse some impulse in the name of art. It is this aesthetic role played by modern museums and art galleries. However, contemporary art has seen more, and it inevitably gives birth to a defensive mechanism. It disappoints more than hope, but it accelerates its pace. This time, however, it has fallen into the tunnel of time and space. Meet Italy five or six hundred years ago, but it is their wish.