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徽剧《临江会》,在“纪念徽班进京二百周年”的演出中,以其粗扩豪放的艺术魁力和别具特色的表演风格,享誉京华.该剧导演徐勤纳先生以其匠心独具的奇巧构思和别有风韵的艺术体现,使这出在戏曲舞台上辍演长达半个世纪之久,几成绝响的名剧,重放异彩,令人耳目一新.国内许多著名的专家、学者,高度评价该剧“新出于旧,旧出于新,整旧如新,新旧难分”.既有陈旧的美、又有古朴的美.“临江会”始排于一九八九年春.同年仲夏,我们为此剧的排练拜访了著名京、昆艺术大师俞振飞老先生,受益匪浅.俞老说:“临江会”一剧,已尘封了几十年绝迹舞台,这是一出好戏,与“鸿门宴”、“单刀会”、“群英会”有异曲同工之妙.当年仅看过我师父程继先(程长庚之孙)的演出,剧情内容是周瑜与关羽的对手戏.先生演的周瑜嗓声甜润、高亢叫天,讲究功架,表演上有许多“绝活”.据说,叶盛兰先生当年在出科时,也曾演过此剧,很遗憾之后就销声匿迹,无人问津了.过去在京剧界评价一个小生演员的功力深浅,就看他能否演出“三会”,即“奇双会”、“群英会”和“临江会”.“三会”中,尤以“临江会”难度较大,要求演员文武兼备,
In his performance of “Celebrating the Hundredth Anniversary of the Emblem Classes’ Expedition to Beijing”, the emblem “Linjiang Club” is renowned for its Jinghua with its bold and bold artistic charm and distinctive performance style. The director of the play, Mr. Xu Qinna With its creative ingenious ideas and unique charm of the art, so that out of drama stage up to half a century long time, a few dozen exquisite play, to reproduce the splendor, it is refreshing. Many domestic The famous experts and scholars spoke highly of the drama “Out of Oldness, Out of Oldness, Oldness as New, Old and New Difficult.” Both old beauty and ancient beauty. In the spring of 1989, in the same summer of the same year, we paid tribute to the veteran Mr. Yu Zhenfei, a famous master of Beijing and Kunming, for the rehearsal of this drama. Yu said: “The Linjiang Club” drama has been dusty for decades Extinction stage, this is a good show, and the “Banquet”, “solo”, “heroes” have the same purpose.That year saw only my master Cheng Jixian (Cheng Changgeng grandson) performance, the contents of the story is Zhou Yu and Guan Yu The play of Mr. Zhou Yu played sweet voice, high pitched cry, pay attention to the power stand, performing a lot of “ It is said that when Mr. Ye Shenglan was out of school, had also played this play, unfortunately after the disappeared, no one is interested in. In the past in Beijing Opera evaluation of a niche actor’s skill, see if he can perform ” Three clubs “, namely” odd double will “,” heroes “and” Lin Jiang Hui. “” Three “, especially” Linjiang Hui "more difficult, requiring both civil and military performers,