论文部分内容阅读
中国古代的文学艺术创作(特别是诗),历来注重含蓄,这是很符合创作与欣赏法则的。拿创作来说,明明画的是花鸟或山水,其中却要寄托人的意趣以至于思绪;二泉映月本来是一幅画面,用眼睛来看一清二楚,然而创作者却用一把二胡来演奏,诉之于人们的听觉。诸如此类的事例,说明在文艺创作中,无所不包的内容必须表现在特定的、有极大限制的艺术形式之中,结果自然就相当含蓄了。
Ancient Chinese literary and artistic creation (especially poetry), has always been focused on subtle, which is in line with the law of creation and appreciation. Take creative writing, it is clear that the flowers and birds or landscapes, which have the sustenance of people’s thoughts and thoughts; Erquan Ying-Moon had been a picture, with the eyes to see clearly, but the creator with a erhu To play, appeal to people’s hearing. Cases such as this show that in literary and artistic creation, the all-encompassing content must be embodied in a particular, extremely limited form of art, and the result is quite subtle.