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自从唐代画家张璨提出“外师造化,中得心源”的理论后,这一观点就成为历代中国画家处理创作与生活,客观与主观关系的信条,以至于一旦说到写生,现在的中国画家还时常念叨着这句名言。古代的中国画写生与现代的中国画写生相比,名称虽然一样,内涵却大不相同。中国画的传统写生方法,注重的是写客观物象内在的生意与生气,并不拘泥于客观物体的表象。实际上,中国画的写生又被称为写真,这“真”不是今天
Since the Tang Dynasty painter Zhang Can put forward the theory that “outsiders are good fortune, they are well-sourced”, this view has become the credo for the Chinese painters to deal with the relationship between creation and life, objective and subjective in ancient times, so that when it comes to sketching, Chinese artists now often talk about this famous quote. Compared with the modern Chinese painting students, the ancient Chinese painting sketches have the same names but different connotations. Traditional painting methods of traditional Chinese painting emphasize the inner business and anger of objective objects, and do not rigidly adhere to the appearance of objective objects. In fact, the sketching of Chinese painting is called photo-writing, and this is not true today