山崎丰子的“战争三部曲”经历了长期艰苦的取材过程,通过西伯利亚劳役的战俘、美籍日裔和日本遗孤这些特殊的视角,还原战争历史,唤起民众对战争的反思,具有很大的社会效应。虽然“战争三部曲”在反战思想上存在着模糊“受害者”的“加害者身份”的局限性,但对日本军国主义发动的侵略战争以及日本的政治体制进行了批判,在一定程度上帮助日本读者摆脱对日本军国主义发动的侵略战争的固定思考模式,具有一定的超越性。 Yamazaki Toyoko’s “Trilogy of War” has undergone a long and arduous process of material extraction. Through the special perspectives of prisoners of war by Siberian servitude, Japanese-Americans and Japanese orphanages, the War Trilogy restored the history of the war and aroused people’s reflection on the war. Great social effect. Although the “war trilogy” has the limitations of the “victimization” of the “victim” in the anti-war ideology, it does not carry out the war of aggression launched by the Japanese militarists and Japan’s political system Criticism, to a certain extent, helps Japanese readers to get rid of the fixed thinking model of the aggressive war launched by Japanese militarists and has certain transcendence.