将悲惨的蛊女当作叙事母题的作家群,主体是少数民族/男性作家,其中也不乏汉族/女性作家。在新中国建立初期,旧社会被侮辱与受损害的蛊女被描述为一种民族新生的象征而获得解放。到改革开放以后,在有关蛊女叙事的重复书写中,主人公的悲剧命运又不约而同地成了作家们的共识。 The travesty of insane female as a narrative motif writers, the main ethnic / male writers, many of whom are Chinese / female writers. In the early days of the People’s Republic of China, the insulted and damaged insane girl in the old society was described as a symbol of national renaissance and liberated. After the reform and opening up, in the repetitive writing about the narcissistic narrative, the heroine’s tragic fate became an unanimous consensus among the writers.