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在建国初期的文坛上，“朱定”这个名字并不陌生。共和国的第一次文艺大批判，就是从对包括他的《关连长》在内的几部作品的批判开始的。从此，朱定走上了一条坎坷而又曲折的创作道路，文革中还险些被砍了脑袋。直到粉碎“四人帮”后，他的创作热情才真正勃发起来，闯进了涉外题材的新领域，为我们摄取了一组表现改革开放生活的连续性镜头。他在这些作品中，既不回避我们在体制上的弊端，又注重表现我们在制度上的优越，对中国，对外国实事求是，一分为二，表现出艺术上的胆识和现实主义的创作态度，具有独特的思想意义和美学价值。
In the early days of the founding of the literary world, “Zhu Ding” is no stranger to the name. The first great literary critique of the Republic began with the critique of several works, including his “Associated Length.” Since then, Zhu Ding embarked on a rough and tortuous creative path, the Cultural Revolution was almost cut off his head. Only after the smashing of the “gang of four” was his passion for creation truly exploded into a new field of foreign-related subjects, providing us with a continuous lens of life reflecting the reform and opening up. In these works, he neither avoids our systematic defects, but also shows our superiority in the system, seeking truth from facts in China and foreign countries, splitting into two, and showing artistic courage and realistic attitude towards creation , Has a unique ideological significance and aesthetic value.