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第六届中国吴桥国际杂技艺术节期间,有幸认识了俄罗斯马戏科学院院长、艺术学博士、并多次担任艺术节评委的谢尔盖·玛卡洛夫先生。在艺术节结束后接受记者采访时,玛卡洛夫先生谈到,中国的杂技艺术渊远流长,并以其独特的艺术魅力享誉世界。他对本届杂技艺术节的组织及举办给予了高度评价,但同时也指出本届艺术节及中国杂技中的一点不足之处:滑稽小丑的表演(包括幕间小丑)太少,整场演出掌声很多,但笑声太少。这确实是值得我们深思的。以下是他对俄罗斯丑角的分析介绍。
During the 6th China Wuqiao International Acrobatics Festival, he was fortunate to meet Mr. Sergei Makarov, dean of the Russian Circus Academy, Ph.D. in art, and the judge of the festival for many times. When interviewed by reporters after the festival ended, Mr. Makarov said that the art of acrobatics in China has a long history and enjoys a world-renowned reputation for its unique artistic charm. He spoke highly of the organization and hosting of the festival. However, he also pointed out some shortcomings in the festival and Chinese acrobatics: there are too few clown performances (including the clown in the room) and the entire performance Lot of applause, but too little laughter. This really deserves our consideration. The following is his analysis of the Russian clown.