《狗儿爷涅槃》是上世纪80年代探索剧的优秀之作,它以深刻的历史反思、新颖的舞台面貌面世后,在引起人们的重视的同时,也引发了各种媒体的争议话题。本人以为,这些争议首先围绕着狗儿爷形象及其文化内涵展开,其次则围绕着创作方法与戏剧结构进行。近年来人们对于这部话剧的神话研究,本文也作出了必要的总结与概括。 “Girlfriend Nirvana” is an excellent exploration of drama in the 1980s. With its profound historical reflection and new stage appearances, it has drawn people’s attention and triggered controversial topics in various media. In my opinion, these controversies first focus on the image of the dog and his father and his cultural connotation, followed by the creative methods and the theater structure. In recent years, people have made the necessary summary and summary for the myth research of this drama.