“踏板是钢琴的灵魂”,“踏板是倾泻在景色上的月光”。除了这种警句式的名言外,古往今来的钢琴演奏家、教育家在他们关于钢琴演奏或教学的专著中,几乎无一例外,都以专门的章节来论述踏板问题。这说明了踏板在钢琴演奏和教学中是处于多么重要的位置。正确运用踏板,可以使我们的演奏更完美;否则,会毁掉我们的演奏。所以踏板问题需要我们花大力气来学习,研究。一些钢琴有两个踏板,即右踏板和左踏板,有些琴有三个踏板,即除右、左踏板外,还有一个中踏板.每个踏板的作用不同,下面我们请吴铁英教授将他的经验分述如下。——编者 “Pedal is the soul of the piano”, “Pedal is the moonlight pouring on the scenery.” In addition to this aphoristic rhetoric, pianists and educators throughout the ages have almost exclusively dedicated their pedals in their monograph on piano performance or teaching. This shows how important the pedal is to piano performance and teaching. Correct use of pedals will make our performance more perfect; otherwise, we will ruin our performance. Therefore, the pedal problem requires us to make great efforts to study and research. Some pianos have two pedals, the right pedal and the left pedal, some have three pedals, that is, a right pedal and a left pedal, and a middle pedal. Each pedal has a different function. Now, please ask Professor Wu Tieying to give his experience As follows. --editor