一本韩少功的《马桥词典》,标志着1996年的文学创作是个丰年。这部作品使我们有了与马尔克斯、昆德拉对话的资格。有些评者过于在韩少功外在表达方式上谈论得失,其实这部作品的内涵大大涨出了“词典”形式。庄子之后的智者也多有仿庄子的外在文风谈经论道,但我们还是记住了庄子。所以,单纯的表达方式是没有生命力的,它必须植根于“表达什么”中,才会显出生命血色。读完《马桥词典》我首先感到,高效的阅读能使读者贯通。一是抹 A Han Shaogong “Maqiao Dictionary” marks the 1996 literary creation is a good year. This work has enabled us to qualify for dialogue with Marquez and Kundera. Some critics talk too much about gains and losses in the way that Han Shaoguang’s external expression is concerned. In fact, the connotation of this work has greatly increased in the form of “dictionary”. The wise men after Zhuangzi also have more talk about the external style of writing, but we still remember Chuang Tzu. Therefore, the simple expression is lifeless, and it must be rooted in “what is expressed” to show the bloody life. After reading the “Maqiao Dictionary” I first felt that efficient reading can make the reader through. First, wipe