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清中期以后的官窑彩绘瓷御窑厂图像展现出清帝对于御窑陶冶非同一般的兴趣和控制欲望。从清初到清中晚期,清帝对于御窑及窑业的兴趣也是一个渐进的过程,从我们掌握有限的几个图像来说,在乾隆初年的《陶冶图》是着重对于制陶工序和工艺本身的了解,着重于制陶内部因素,而到嘉庆道光年间,清帝对于御窑及窑业的兴趣,不仅仅限于制陶的内部因素,也渐渐扩大到御窑制陶的外部环境,及御窑厂整体环境。这也是上述几件景德镇御窑窑业图像之所以制作的主要原因。
After the mid-Qing Dynasty, the kiln-painted porcelain kiln factory image shows the imperial Qing imperial court to cultivate the unusual interest and desire to control. From the early Qing Dynasty to the late Qing Dynasty, Qing Emperor’s interest in the imperial kiln and the kiln industry was also a gradual process. From a limited number of images, the “archetypal plan” in the early years of Qianlong focused on the ceramics production process And process itself, focusing on the internal factors of pottery, and to Daoguang Daoguang during the Qing dynasty imperial kiln and kiln interest, not only limited to the internal factors of pottery, but also gradually expanded to the imperial kiln pottery’s external environment , And imperial kiln plant overall environment. This is also a few pieces of Jingdezhen kiln kiln industry the reason why the production of the main reason.