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佛像雕刻艺术传入我国后,为各朝各代吸收、利用,并被逐渐演变,使其具有中国风格和中国传统文化内涵,而作为中国石窟艺术发展变化转折点的大足石刻又极大地影响了后世。文章着重对宋朝宝顶山石刻艺术特色进行论述,同时与魏唐时期石窟作比较,从侧面反映出宋与前代石窟艺术的差异,及在中国佛像雕刻史上的地位。
Buddha sculpture carving art into our country, for each dynasty generations to absorb, use, and gradually evolved to make it with Chinese style and traditional Chinese culture connotation, and as a turning point in the development of Chinese grottoes Dazu rock carving has greatly affected later generations . The article mainly discusses the artistic features of stone carving at Baoding Mountain in Song Dynasty, at the same time compares with the grottoes in the Wei and Tang Dynasties, and reflects the difference between the art of grottoes in the Song Dynasty and the previous generation and its position in the history of Chinese carvings.