智利导演帕特里西奥·古斯曼的纪录片创作,是见证当代智利社会变迁的珍贵材料。他的影片完成了任何一种当代媒介都未能做到的对智利国家记忆的完整记录,故此,本文将其作品序列称为现代智利的“民族相册”。在介绍社会文化语境与其创作的关联之后,本文着重分析了古斯曼后独裁时期的代表作《智利:顽强的记忆》和《光尘之忆》,并就初步总结了这一时期电影作者的美学趋向。 Documentary creation by Chilean director Patricio Guzman is a valuable material for witnessing the social changes in contemporary Chile. His film has completed a complete record of any national memory in Chile that could not be done by the contemporary media. Therefore, this article refers to his sequence of works as the “national album” of modern Chile. After introducing the relationship between socio-cultural context and its creation, this article focuses on the analysis of Guzman’s post-dictatorship “Chile: Tenacious Memory” and “Memories of Guanguang” Aesthetic trends.