在过去对《舞蹈纹彩陶盆》的研究中,学者们大多是从古书记载或文字学角度、社会发展史等去讨论纹饰,本文更多关注彩陶盆纹饰本身,对纹饰的解释和说明作为本文讨论的中心。本文运用阿恩海姆关于运动的观点,探讨原始人是如何利用运动痕迹、表现视觉后像,给观众造成心理暗示,让人在视觉概念里产生运动感。 In the past, the study of “dance pattern pottery pottery”, scholars mostly from the ancient records or philological point of view, the history of social development to discuss ornamentation, this article pays more attention to pottery pottery ornamentation itself, the interpretation and description of decoration as the text The center of discussion This article uses Arnheim’s view on sports to explore how primitive people use motion signs to express post-visual images and create psychological hints to audiences, creating a sense of movement in visual concepts.