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中国美术史上,以文同、苏轼、赵孟頫、吴昌硕等为代表的湖州历代文人画家群体,其“以书入画”的理念与实践,形成了中国画以抒发主观情感为主旨,诗、书、画、印同构为艺术特征的新格局,对中国画的美学追求和发展取向产生了深远的影响。本文研究和梳理这一中国美术史上重要的文化现象,剖析其文化渊源、发展轨迹及成因,以期为当代中国画的创新与发展提供参照。
In the history of Chinese art, the group of literary painters of various periods in Huzhou, represented by Wen Tong, Su Shi, Zhao Meng-te and Wu Chang-seok, formed the concept that Chinese paintings express subjective feelings with the concept of " Painting and printing are the characteristics of the new pattern of architecture, the aesthetic pursuit of Chinese painting and development has had a profound impact. This paper studies and combs the important cultural phenomenon in Chinese art history, analyzes its cultural origin, development track and causes, in order to provide a reference for the innovation and development of contemporary Chinese painting.