在中国美术学院陈列馆观赏台湾画家陈忠藏的水彩画个展时,看着看着,我的脑海中不由自主地浮现了两句话,这是真正的水彩画,在艺术上似乎已进入了“化境”。 所谓“真正的水彩画”,意指这些作品把水彩画所能有的艺术表现力发挥得淋漓尽致,可以说发挥到了最高的程度。 至于艺术上的“化境”概念,可以用当代著名中国画家李可染先生的一段话来说明。李可染先生说:“中国的艺术家常把艺术的最高境 While watching the solo exhibition of watercolor by Chen Chung-kang, a Taiwanese painter, at the China Academy of Art Gallery, I watched as my words involuntarily came to my mind. This is a real watercolor and seems to have entered art in a “landscape.” The so-called “true watercolor painting” means that these works exert their artistic expressiveness most vividly and can be said to have reached the highest level. As for the concept of “artistic emptiness” in art, we can use the passage of the famous contemporary Chinese artist Li Keran. Li Keran said: "Chinese artists often put the highest art