一般来说,“导演痕迹”是指导演在片子中积极发挥主观创造性,致使片子产生的异乎寻常的感觉效果。就正面意义而言,“导演痕迹”是导演在不违背客观规律、艺术原则的前提下,对组成片子的视听等各元素所做的巨大努力的感性显现。就负面意义而言,“导演痕迹”则是导演超出了客观规律、艺术原则,所做出的过头反应的外在表现。它往往代表着主题先行的摆拍和造假。尽管在纪录片的家族中,大多数类型对“导演痕迹”是持否定态度的,但在电视文献片这一类型里,对电视表现手法所显现出来的“导演痕迹”并非是一概排斥的。在文献片《杨开慧》的拍摄实践中,导 In general, “Director’s Trail” refers to the director’s subjective creativity in the film, resulting in the film produced by the unusual feeling. As far as the positive meaning is concerned, “Director’s Tracks” is a perceptual manifestation of the great efforts made by the director on the elements of composing a film on the premise of not violating objective laws and artistic principles. In the negative sense, “director’s trace” is the director’s external performance beyond the objective law, artistic principle and overreaction. It often represents the theme of the first swing and fraud. Although most types of documentary films hold a negative attitude toward “director’s mark”, in the category of television documentary film, “director’s mark” revealed by television’s expression is not exclusive. In the documentary “Yang Kaihui” shooting practice, guide