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二十世纪八九十年代,我国篆刻艺术有了很大发展,展览活动丰富多样,篆刻创作积极踊跃,印学理论硕果累累,涌现出一批出色的中青年篆刻家,对当代篆刻艺术的倡导和推动产生了积极而深远的影响。然而,当今篆刻艺术发展却不容乐观,很多年轻人学习篆刻兴趣冷淡,本文作者苏金海通过对江苏篆刻历史上一九八〇至一九九〇年的活动状况与创作成果进行梳理,使更多年轻的篆刻爱好者能理性地站在历史
In 1980’s and 1990’s, the art of seal cutting in our country has been greatly developed. The exhibition activities are rich and varied, the carving creation is enthusiastic, and the theory of printing and studying is full of fruits. A series of outstanding middle-aged and young seal carvers emerge, advocating contemporary art of carving And to promote a positive and far-reaching impact. However, today’s carving art development is not optimistic, many young people learning the cold seal of interest, the author of this article Su Jinhai through carving history of Jiangsu Province from 1980 to 1990, the activities of the situation and the creation of combing, so that more Young carving lovers can reasonably stand in history