巴西诗人曼努埃尔·德巴罗斯(1916-2014年)认为,“眼眸顾盼,记忆回看,想象穿梭于视角之间”(即见解)。他创造了一个新词刺激我们的感官,并建议:“我们应该以跨视角的方法看待这个世界。”受到这诗意的思想以及第11分会主题的启发,我打算讨论巴西的贫民窟(favela)作为一种具有美学价值的独特景观的形成,及背后的社会和现实的关系,并扩展到那些长期以来反映“里约”(即里约热内卢)城市不平等情况的图像和想象。我们以一个开放性问题开始,这个问题是由近 Brazilian poet Manuel de Barros (1916-2014) argues that “eyes look forward, remember back, imagine the shuttle between perspectives” (ie opinion). He created a new word to stimulate our senses and suggested: “We should look at this world in a cross-perspective manner.” Inspired by this poetic thought and the theme of Branch 11, I am going to discuss the favela ) As a form of esthetically distinctive landscape and the social and reality behind it and extend to those images and imagings that have long reflected the urban inequality in “Rio” (ie, Rio de Janeiro). We begin with an open question, which is by and by