随着汉儒“顺气言性”学说的建构和人的感性主体的确立,诗人的情感世界逐渐被打开了,诗歌“吟咏情性”的特质也逐渐被重视。在这一背景下,钟嵘提出了他的“赋比兴新说”。“新说”以诗人的感性世界为基础对赋、比、兴重新进行定义,以“直寻”作为赋、比、兴的运用原则,以“巧构形似”作为赋、比、兴的艺术目标,最终使赋比兴摆脱了与新兴五言诗创作完全异质的用诗经验,完成了赋比兴由服务于政治教化的用诗之法,向服务于文学创作的作诗之法的转变。 With the establishment of Han Confucianism and the establishment of human sensibility, the poet’s emotional world has gradually been opened up. The characteristics of poetry and “chant affectionality” have also been gradually taken seriously. In this context, Zhong Rong put forward his “new Fu Fu said.” “New Theory ” is based on the poet ’s sensual world as the foundation of Fu, than, Xing re-definition, “straight search ” as the Fu, than, Hsing’s principle of use , Compared with the artistic goal of Hing, eventually make Fu Bixing out of completely different from the new five-character poem writing experience with the poem, Fu Fu Hing completed by the service of political enlightenment poem, to serve the literary creation Change of the law of poem.