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笔者写作本文的目的,旨在澄清孔子音乐思想和传统认为的儒家乐教思想的不同之处,进而说明后代儒学对孔子的解释不凡片面和极端。然而后代的我们都企图想还原丰满的孔子,但结果却只是借他一羽而留得一席说话之地罢了。孔子谈音乐,像他的全部思想一样,正是基于日常生活、平常人生,这样才能为“复礼”的目的建立一套最为基本的依据,创立这个长久独立稳定存在的文化——心理结构。如果从这个意义上说,他的音乐美学思想就应该是其中最精华部分。
The purpose of this article is to clarify the difference between Confucian music thought and traditional Confucianism thought of music education, and then explain that Confucianism’s interpretation of Confucius is extremely unilateral and extreme. However, all of our descendants tried to restore the fullness of Confucius, but the result was only to lend him a seat to leave. Confucius talked about music, just like all his thoughts, based on daily life and ordinary life so as to establish the most basic basis for the purpose of “funeral ceremony” and to establish this long-standing, independent and stable culture-mentality structure. If in this sense, his music aesthetics should be one of the most essential part.