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(接上期)“古声淡无味,不称今人情。”隋唐时期的古琴,与各民族的音乐艺术相比,多少显得有些许落寞。唐玄宗甚至在听完古琴之后,需打羯鼓以为其“解秽”。虽然古琴无法受到当权者的喜爱,但在文人雅士中依旧引起了广泛的共鸣。李疑、贺若弼、王通、王绩、赵耶利、董庭兰、薛易简、陈康士、陈拙等人在以精湛的琴艺受到世人推重的同时,在搜集、整理、加工传统曲目方面也作出了杰出的贡献。唐初琴家赵耶利除对当时流行的琴曲“削俗归
(Connected to the period) ”The ancient sound of light and tasteless, do not say that today’s human condition.“ ”The Guqin of the Sui and Tang Dynasties, compared with the music art of various ethnic groups, the number seems a bit lonely. Emperor Xuanzong even after listening to the Guqin, the need to play Jieyang drum “solution dirty ”. Although the guqin can not be loved by those in power, it still arouses widespread resonance among literati. Li Susan, He Ruobute, Wang Tong, Wang Ji, Zhao Yali, Dong Tinglan, Xue Yi Jian, Chen Kangshi, Chen Zhuo and others, who are respected by the world with exquisite piano art, have also made some efforts in collecting, arranging and processing traditional repertoire Outstanding contribution. In the early Tang Dynasty, the entertainer Zhao Ye Li except for the popular melody "cut custom