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现象学在胡塞尔以后,形成了三种走向。第一种走向是由先验现象学变成了经验现象学。第二种走向是由在场的现象学变成了缺席现象学。它们都不能最终解决领会存在的意义问题。第三种走向是建立审美现象学。审美体验符合了现象学的一般规定,成为充实的现象学:审美体验以其超越性悬搁了现实意识,成为充分的非自觉意识,从而回归了纯粹意识。审美体验以其彻底的意向性克服了主客对立,实现了我与世界的同一,从而使现象显现。审美体验以其审美理想使世界的本质呈现,从而领会存在的意义。
After Husserl’s phenomenology formed three kinds of trends. The first trend is from transcendental phenomenology to empiricism. The second trend is from the presence of phenomenology into absent phenomenology. Neither can they ultimately solve the problem of understanding the meaning of being. The third trend is to establish aesthetic phenomenology. The aesthetic experience conforms to the general rules of phenomenology and becomes a substantial phenomenology: the aesthetic experience suspends the consciousness of reality with its transcendence, and becomes full of unconscious consciousness, thus returning to pure consciousness. Aesthetic experience with its complete intention to overcome the opposition between subject and object, to achieve my identity with the world, so that the phenomenon appears. The aesthetic experience presents the essence of the world with its aesthetic ideal, so as to understand the significance of existence.