现代中国建筑创作研究小组从诞生以来,已走过了十个春秋。年年相聚、岁岁交流,共商互勉为祖国繁荣建筑创作开花、结果。使我禁不住有感而发,难忘这十年的不平静历程。记得我首次在小组发表的论文是《谈建筑的实验性创作》,当时我正试图以实验性来尝试建筑的创新。接着我又连续三年在小组会上交流了“三论”,即:“论现代建筑对上海的新冲浪”;“现代建筑与上海对话”;“现代建筑向上海挑战”。似乎预感时代建筑浪潮的到来……。 事实是,中国改革开放的深化,上海城市与建筑发展都比预想得要飞速迅猛。整个新上海的建树是有目共睹的,令国人与世界瞩目,真正是“惊回首、今日看巨变,望前程,明朝更辉煌。”在上海人的记忆中,领悟了一年变个样、三年大变样的真谛。在上海人的心目中感觉到物换星移、 日月重光、改天换地构筑新世纪蓝图的光彩。 这些年来,我有幸在千载难逢的机遇中,参予了上海“三年大变样”的三项重大工程项目的实践,并作为设计总负责人主持设计,而且尽心尽力投入了建筑创作。这就是:1991/1992年上海市第2号重大实事工程——新外滩(一期),1992/1993年的新外滩二期。1993/1994年上海市第1号重大实事工程——人民广场中的上海博物馆,1994/1995年的龙华烈士陵园。这三项都是对上海人民奉献的 Since the birth of the modern Chinese architectural creation research group, it has gone through 10 years. Year by year, year-by-year exchanges, mutual understanding and mutual prosperity for the prosperity of the motherland architectural creation flowering, the result. I can’t help but feel the sensation and unforgettable. I remember that the first paper I published in the group was “On the Experimental Creation of Architecture.” At the time, I was trying to experiment with architectural innovation. Then I exchanged the “three theories” at the group meeting for three consecutive years, namely: “On the New Surfing of Modern Architecture in Shanghai”; “Dialogue between Modern Architecture and Shanghai”; “Modern Architecture Challenges Shanghai”. It seems that we are expecting the arrival of the era of construction.... The fact is that with the deepening of China’s reform and opening up, Shanghai’s urban and architectural development is faster than expected. The whole new Shanghai has made contributions to the whole country, which has made the people and the world catch the eye. It really is “returning from surprise, seeing great changes today, looking forward to the future, the Ming Dynasty is more brilliant.” In the memory of the Shanghainese people, they realized that the year has changed and the year has changed. Great change of year. In the minds of the people of Shanghai, there is a sense of change in the stars, the light of the sun and the moon, and the renewal of the blueprint for the new century. Over the years, I had the privilege of participating in the practice of the three major projects of Shanghai’s “three-year major change” in the golden opportunity, presided over the design as the chief of design, and devoted my utmost to the architectural creation. This is: Shanghai’s No. 2 major practical project in 1991/92, the New Bund (Phase I), and the New Bund Phase II of 1992/93. 1993/1994 Shanghai No. 1 Major Practical Project - Shanghai Museum in People’s Square, Longhua Martyrs Cemetery in 1994/1995. All three are dedicated to the people of Shanghai.