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写诗的人都知道,律诗的声韵格律规定很严格,给初学写作者带来相当的困难。即使是唐朝杜甫那样的律诗大家,一生也只写了150多首的七言律诗。其实,这种“不变”的规定固然在很大程度上束缚了作者,但在“不变”中求“变”更是不易。古人说:“近体莫难于七言律,五十六字之中,意若贯珠,言若合璧。”(胡应麟语)一首好的律诗只符合格律要求还远远不够,更要在不变的格律束缚中寻找自我突破,用变化的笔调来表现自己的情感志趣。“不变”是一种相对的固定形式,而“变”才是常写常新的诗的艺术创造。
People who write poetry all know that the metrical rules of the law of poetry are very strict and bring considerable difficulties to beginners. Even Du Fu, as the Tang Dynasty, all those who write only a lifetime of more than 150 seven-character poetry. In fact, this “unchanged ” provisions of course, to a large extent, bound the author, but in “unchanged ” in the “change ” is not easy. The ancients said: “The near body is harder than the seven-character law, among the fifty-six words, meaning if consistent beads, words like a combination.” (Hu Yinglin language) a good law only met the requirements of the law is not enough, more To seek self-breakthrough in the constant constraints of the law, with a change of style to express their emotional interest. “Constant ” is a relatively fixed form, and “Change ” is the art of writing often new poetry.